Interstitial spaces also speak of concrete spaces—those that are supposedly unambiguous. Niches and in-between spaces are places of transit, transition, and change. In their indeterminacy they may welcome experiences of all kinds, but they also allow for the impossible and illusory to take hold. Sometimes they are functional spaces and, as such, places of a strange emptiness—of the inhospitable, of perseverance, of lingering. They speak of the Other, of what seems clear and unambiguous, raising questions, obscuring, and disguising.

The proposed artistic perspectives in this exhibition open up interpretations of in-betweens and thus, at the same time, question their opposite: the places that are supposedly concrete. It is thus revealed that unambiguity is arbitrarily produced through coexistence—in politics, culture, and society— arising from the power of consensus, from an agreement of many. Yet at the same time, it always produces its counterpart: the grey areas of the in-between.

The Interstitial Spaces exhibition takes the questions of CTM 2020’s theme beyond the margins of music.