For its seventh installment of Polymorphism, CTM Festival presents Morphosis and Hieroglyphic Being: two axiomatic artists in experimental dance music who epitomize the spirit of radical sound mutation. The September 11 event inaugurates Focus Mode, a new monthly club night from Berghain aimed at advancing vanguard configurations of club culture and sound.

The 3-day event reSource 006: Overflow organized by our partner transmediale runs Sept 12–14, 2013 at Kunstraum Kreuzberg/Bethanien. A dense sequence of conversations between artists, cultural producers and curators will discuss the current "overflow condition" of digital culture, where more information is being transmitted than machines can process, and humans can handle. As part of the programme, the CTM and transmediale organizers will give insights into the themes of the 2014 festival editions. The programme is rounded out with a a club night at Mindpirates, put together by CTM and UnReal, that features Dracula Lewis, Primitive Art, Bill Kouligas and more.

SOCO Festival and CTM Festival together present a concert divided in two acts. Berliners Jan Jelinek and Andrew Pekler stage their multi-media project Jan Jelinek & Andrew Pekler play Ursula Bogner for the first time in Latin America, alongside the exclusive premiere of Uruguayan artist, Par. The outstanding programme is presented in celebration of the 50th anniversary of the Goethe Institut of Uruguay.

Festival passes are still available at regular prices. Individual tickets on sale as of 15 December.

The Generation Z: ReNoise exhibition at Kunstraum Kreuzberg/Bethanien assembles rare original early sound equipment and explores the fate of researchers, sound experimentalists, and inventors active during a Russian period of revolution, war, and dictatorship in the early 20th century. Curated by Andrey Smirnov. 

Following last month’s initial unveiling of CTM 2014 programming, we’re pleased to announce the second wave of artists and projects confirmed for the festival’s 15th anniversary edition, taking place January 24 – February 2, 2014 in Berlin.

Within the Transfer programme, the Education Networking Day scheduled for Saturday, February 1st, 2014, invites students, professors, and researchers from graduate and posgraduate programmes traversing the fields of audio, arts, media, design, and related theoretical disciplines to present programmes, projects, and activities.

Participants applications for the CTM 2014 MusicMakers Hacklab are still being accepted through December 15. The a weeklong open, collaborative laboratory hosted by Peter Kirn of CDM and sound artist Darsha Hewitt allows practitioners from a range of disciplines to reconnect with the work of early pioneers in a new context. Participants will get the chance to mix rediscovered analogue and electronic techniques with new, still-evolving digital processes connecting to the Generation Z: ReNoise exhibition.