Salomé Voegelin is an artist and writer engaged in listening as a socio-political practice of sound. Her work and writing deal with sound, the world sound makes: its aesthetic, social and political realities that are hidden by the persuasiveness of a visual point of view.
Voegelin’s most recent book The Political Possibility of Sound: Fragments of listening is published by Bloomsbury, 2018. As an artist Voegelin works collaboratively with David Mollin, Mollin+Voegelin, in a practice that engages words, things and sound and focusses on invisible connections, transient behaviour, and unseen rituals. She is a Reader in Sound Arts at the London College of Communication, University of the Arts London.